Jameron wrote:
As for "pouring acid onto his own face was only an attempt to partake in the idealized love that he longs for but could never find as a pedophile." ... you lost me. I genuinely can't discern what you're getting at. Do you want to give me the dumbed down version?
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What I was trying to say is that Hakan seems to be quite conflicted, torn between the ugly reality of his own pedophilia and his idealized notion of romantic love. The one thing that seems capable of overcoming his lust is his self-disgust towards the nature of his sexuality. I think there were two instances where he couldn't bring himself to complete the act: the boy in the bathroom and the scene with the other pedophiles.
What he believes loves to be, what he wants with Eli, is to able to happily "lay his life at the feet of another" who would do the same for him, (I think)-hence the bargaining: "If I thought you would love me anyway, I might do it...." It's true that he want sexual gratification without shame and he see the opportunity for that in Eli, but I think what he really dreamed of was more than sex, it was a meaningful reciprocal relationship with someone he finds "beautiful." The kind of love written about by Shakespeare. But too bad for him, he's a pedo and his ideal beauty is incompatible with his ideal of love. The closest he can come to is Eli, not only because Eli's has a child's body, but because in a sense Eli's completely dependent on him. In Hakan's mind, Eli gives him the chance to live out his notion of "love" with all the drama of any classical text: Hakan is hero who endures unspeakable horror for the sake of keeping his "love" alive. That is the purpose that Eli gives him: to turn the unbearable shame associated with his lust into something that approaches nobility in its self-sacrifice. The worse he is at killing, the more he suffers to get Eli's food, the stronger and purer his love for Eli is. With Eli, Hakan can play the noble hero who gives everything for the sake of his beloved, and escape his real self as a predator of children.
That's why I say that he always wanted to die. And I think that's the central idea of why people say Hakan's delusional or that his love isn't "real." It's not real in the sense that Hakan's willingness to kill and die is at least in part motivated by his desire to be something other than a pedophile, it is self-aggrandizing and far from the sacrifice he imagines it to be.
(I hope that makes more sense.)