lombano wrote:Lacenaire wrote:A soldier may indeed murder, rape, pillage and may avoid punishment for doing that (though see below). However, he is almost never compelled to to this under the punishment of death. He almost never faces Eli's dilemma. Even the Nazis did not, as a rule, execute their own soldiers or officers who refused to commit atrocities. (I can give examples of this related to me personally). Eli does not rape and it is not clear if she does not pillage but she will die if she does not kill someone.
I would go further and say that a soldier of his won accord committing attrocities with impunity is basically the opposite of Eli's situation. Eli is already outside society and thus could commit attrocities with impunity, but limits herself to the minimal to ensure her survival.
I can think of a better analogy for Eli's situation, that I've hesitated to mention before. There was a story in the Mexican press not too long ago about a particular gunman for one of the country's drug cartels. Now, they have recruited substantially among teenagers, but this particular gunman was unusally young, a twelve-year-old. By his own admission, he had carried out a number of executions. He claimed that, had he refused, he would have been executed himself. Now, I have no way of judging whether he was telling the truth in this last part (it is certainly possible, but also he has every incentive to lie), but if he was telling the truth, then you have a situation much more like Eli's, save that his victims were probably less innocent than Eli's.
I'll interpret this twelve year old executioner as a conscripted soldier, assuming he's not misrepresenting his situation. A drug cartel is a kind of government, too, even if we refuse to recognise it as such.
I have an alternative proposal to make, one that will probably not be well received since a substantial chunk of the forum's membership does not "buy into" horror.
It's no secret that there's been an ongoing war between Good and Evil probably since long before written language. Psychologists, philologists and heads of religious state will express and describe this war in different terms, according to their respective fields of endeavour, but it's the same war. It, too, pits one mass of soldiers against another, but these soldiers don't distinguish themselves one from another by wearing green clothes or grey. More often, it'll pit aprons against fur and blueberry muffins against fangs.
I've said somewhere else in this forum maybe a couple years ago that it sometimes seems to me that $deity is an ancient avatar created - maybe partially by design, and maybe partially by common tacit assent - to externalise authority. Briefly, if the highest authority in the land can himself be said merely to be the servant and messenger for an unseen and unheard Almighty, believers can lay their grievances at the feet of some cast or graven image rather than at the doorsteps of a mere man. This would serve to simplify things for quite a few people (Americans sometimes react to particularly bossy people by retorting "Who died and made YOU God!?").
Before the face of modern science was nipped, tucked and Botoxed into its present form, I believe natural philosophy tended to go quite a bit more afield than is presently allowed by the "scientific method". It could be conjectured that ancient forms of inquiry into the nature of morality, monstrosity and so on were similarly symbolised by angels and demons.
Within the realm of true horror (and not the popcorn hour slasher flick), the ongoing war between Good and Evil continues to rage unfettered, and I view it as a durable extension of the aspects of natural philosophy that attempts to investigate human nature, dualism, morality, mental and physical illness and the fabric of society itself.
Since we're talking about a vampire - that is, a creature that usually looks, walks and talks like a human but has decidedly antihuman (antisocial) dietary requirements - we're necessarily generally discussing an important element in horror
fiction. What contortion of evolutionary pressures is going to produce a true Eliform (or archetypal) vampire within the realm of reality I'm preparing to face as I head out the door to earn another day's pay?
She is an engineered and designed creature, both because JAL crafted her in our reality and because she's so keenly adept at serving superficially
against human interests in the realm of horror. The anti-horror soldiers in fiction don't always wear green clothes and sport grenades and rifles; they'll more often wear aprons and chuck freshly baked blueberry muffins at random innocent people. Eli and other antihuman creatures don't always wear grey clothes and sport grenades and rifles, but they'll use their fangs and claws to bring fear, grief and despair to whatever community they've invaded.
By these badly presented lights, then (I
am a bit pressed for time), an argument could be made that Eli's moral perspectives are indeed very much in question, but not because she murders people. Her allegiance to the forces of Evil (tm) is called into question because she dares to give aid and comfort to a potential enemy soldier.
By some strict definitions, there are no noncombattants in this war: "If you're not part of the solution, you're part of the problem". Under such premises, we could claim that Eli bears no personal moral responsibility for her "crimes", since
anything she does that brings pain to people is in service to the interests (the agents of evil) that conscripted her into service.
As for the notion of "free will", well... Lombano does bring up the ugly spectre of "dereliction of duty", where "duty" might be clearly spelled out and "defined" in some
book on the shelf in the homeside offices of a government thousands of miles from the front line, but can be very hard to remember and even harder to interpret "properly" in the heat of pitched battle or under the psychological weight of siege.
Does likening Eli to a soldier smack of iconoclasm?