metoo wrote: ↑Mon Feb 05, 2018 3:45 pm
SpartanAltego wrote: ↑Mon Feb 05, 2018 12:37 pm
... Eli only kills as a means to live (or to save another's life, namely Oskar's) ...
That is not completely true. In the novel Eli killed Jonny even though he was no threat to Oskar at the time - especially not with Eli present. In the film, Eli killed both Conny and Martin, neither of whom posed any actual threat.
Now, I find this an interesting subject. Why did Eli kill the other boy/boys? Apart from JAL's personal motivations for revenge, what would be the in-story reason for Eli to kill those people?
And what does killing them say about Eli's personality?
You may also remember that just a day later, Eli was very close to kill Stefan Larsson in Karlstad, for the only reason that Stefan had disturbed Oskar and Eli. This is all according to Stefan himself, obviously, but JAL wrote it that way so I think we can trust Stefan's interpretation. It seems that Eli is a much more ferocious and dangerous individual than many at this forum appears to think (perhaps myself included)...
Perhaps I misspoke - Eli kills for utilitarian purposes
except when it comes to Oskar. For Oskar, Eli becomes violent through emotion rather than need, and thus all the more dangerous to anyone who threatens them. It's the double-edged nature of their relationship, wherein Eli becomes humanized yet also far more deadly. Eli killing Jonny (and the other boys save one in the film) seems like a fairly straightforward case of revenge-murder, but it could also be a practical choice. Leaving too many witnesses no matter of absurd their story would draw attention. The fewer there are to corroborate what happened, the better.
It could also be a matter of blood-thirst overtaking Eli in the moment. Killing Jimmy may've roused the hunger depending on if Eli fed at all in days since leaving Blackeberg, and so he additionally killed Jonny (who was close by and could've conceivably attempted to intervene).
As for Stefan, I don't discount that he was legitimately in danger in the moment he walked in on the blood pact. But if we consider the emotional context of that moment, relevant to Eli's demonstrated personality and history, it would be the equivalent of walking in whilst the two made love for the first time if they were an older couple. It was an intensely intimate moment, and Eli is shown to have something of a temper when sufficiently provoked. His attitude in that moment appears more the exception than the rule. Plus, we have to keep in mind that while Eli did indeed come close to killing Stefan, he ultimately did not. Still, it cannot be denied that Eli is intolerant of threats to Oskar, their connection, and anything that would intrude on that space.
The monster, by comparison, only ever takes life in the pursuit of personal gratification. And unlike Eli, whose actual followed-through murders are either practical or a case of righteous violence, the monster deliberately targets those who have not wronged him so as to inflict emotional cruelty on the maker who forsook him. He doesn't kill to survive, or even to defend a life he deems as important as his own, or as a response to being provoked. They are calculated killings used to serve a malicious end, counting on the evil of the act to transmit suffering to Frankenstein. There is no greater good or need being served.
What does it say about Eli? Only that he possesses both the power and the willingness to violently strike out at threats to the ones he loves, as well as freedom from the consequences of such actions. It's a human response, all the more intense because of his perpetual child-state. A grown mind might understand the need for measured violence versus guilt-by-association (and I say 'might' very strongly). A twelve-year old will not. Certainly he would have little interest in being regaled with the value of life when he has already developed a threshold for taking it, and has no reason to see Jimmy or Jonny as having positive attributes worth preserving.
He's dangerous, but ultimately what makes him so isn't that he possesses any exceptional personality traits that cleave him from the normal populace. It's that he has the power to act on his impulses and evade the consequences of social fallout, prison, or execution. He exists outside civilization and so is not beholden to its rules. Which makes it all the more telling that we only have two extremely emotional outbursts by Eli that run contrary to the restraint he otherwise shows. That is an indicator of his character more than the opposite, I think.
"The dark is patient, and it always wins. But its weakness lies in its strength: a single candle is enough to hold it at bay. Love is more than a candle. Love can ignite the stars." - Matthew Stover